Archive for the ‘my boy’s voice’ Category

posted by on about me, my boy, my boy's voice, QnA

Thank you to everyone who asked my boy a question in last week’s Sunday Curiosity… it was much fun and we had some interesting discussions about some of it. I struggled with giving up editorial control (a control freak, me?!) – it was quite difficult for me to be comfortable with having another voice here and letting it speak (about me and us) without influence. I did manage to get over it, so his voice, invited by me and expected by you, is here unedited.

So, here we go… my boy’s Q&A:

Note: The views outlined below are not necessarily those of management, all care but no responsibility taken, and in the case of disputes, no correspondence will be entered into.

slapshot said…
I actually have two for you. Thanks in advance for taking my questions.
First, What part of being a sub gives you the most satisfaction?
Secondly, Do you need to have an emotional connection with a Domme before becoming involved in a scene?

 

Thank you for your questions, and I wonder if you are a Paul Newman fan because of your nick, or just a hockey fan in general, and I’ll take the first question second, and the second question first:

Second question first:

No I don’t think I need to have an emotional connection with a dominant partner necessarily. Just like, you know, you don’t need to have an emotional connection with any vanilla boy/girl you sleep with for fun or exercise or to make sure you are still alive or because of vodka. A one off night is a one off night and is good and athletic joy and makes you feel like a superstar in the short term. So get some. But the emotional, hard-boiled, ego-shattering stuff, that stuff that makes you want to break your own heart over your knee like a stick, only comes when you do have a deep emotional connection. So an emotional connection, I think, is better.

First question second:

You asked me what about being a sub gives me the most satisfaction. I flat out hate the abbreviation “sub” (not your fault Slapshot, just an idiosyncratic—and idiotic—thing of mine) and I am not even that fond of the full-on word “submissive”. But what I most like about being who I am is when Ferns fucks me. And when Ferns fucks me what I like most is that she makes me look into her eyes. And it’s not just that I like that she likes to make me look at her. And it’s not just that I like to see her looking at the thing that she is fucking like it is a thing to fuck, and it’s not just because she wants me to look at her looking at me in order to know that I am being fucked, and it’s not just that she wants me to know that she and no one else is fucking me or is allowed to fuck me (though lord knows it is all of these things that I like) but what I really, really love is that she seems to be trying to look into my head, like through the holes in my eyes, to see what I am thinking about as she puts her cock into me, like her cock and her vision, her cock and her scrutiny, are somehow a truth serum. With her cock in me, and while she looks at me, I would confess to everything, I would give up my best friend, I would swear to burn the flag, I would tell the whales to go fuck themselves.

Brids said…
A chance to find out more about the “boring stuff” from another persons perspective? What luck! =D
Alright, so my question is (much like the last one), what’s an average day like with Ferns?

 

Average day: wake up tied up and locked up in the pee-bucket room. Believed I was alone but Ma’am is there, comes in from her bedroom wide awake, naked, and in business mode (she will dress and go to work and I will stay here, in her collar) and is slapping my face, and when she slaps my face it is like an alarm clock going off. My cock is hard but I don’t know if I woke up that way, hard, or if it is hard because my cock is hard now, this instant, as I am remembering this and writing about it, which makes my cock hard, or if my cock is hard because of the memory of Ma’am waking up all business-like and slapping my face while I am tied up in the pee bucket room, or if my cock is hard because it is not my cock at all, because it is her cock, but I know that I wake up being slapped around and my cock is hard (which is her cock) and because she is there, it nearly seems impolite to say “she,” and she is there and she is who she is, long and tall and thin and so kind in her violence and so far away and slapping my face like an alarm clock, left side and then right side so there is no cheek to turn, and I can’t focus and can’t see her face which I wish I could see, her face, so I could tell if she was kidding me or not, but she’s not kidding me, I know she’s not kidding me, she needs me to be nothing right now, nothing and a little bitch and that is good because she has made me into one, a little bitch, and maybe I need to be a little bitch right now even more than she needs me to be a little bitch, and I wish she would be saying awful things to me about how I am awful, and a nothing, a nothing at all, about how I am just the breathing machine that keeps her cock alive, but she doesn’t talk at all, she doesn’t say a word to me, like I am nothing to be talked to—and this makes me feel sweet because later in the day I know we will talk very much, eat fried shrimp and touch hands under the table and look at sunlight and talk about how she is better than all sisters, and that we will be close, so close, and so close because of this moment, right here, when she slaps my face and where she will not talk to me, because I am nothing to talk to—and she slaps my face right side and then left side like an alarm clock and I am starting to wake up now, for real, I have had this dream before but the way that it is different this time is that she is real and I am nothing and she hits me like I am already a dead thing, and then she pins my shoulders down with her knees (not that I can move to get away anyway, because I am shackled in the shackles she bought for me and I am collared in the collar she bought for me, and I am locked up in a room in her apartment that she assigned to me: this is my room: the room where I am shackled and sleep alone with her cock and piss into a bucket that she bought for me to piss in) and she straddles my face so her cunt is right above my face, like my face isn’t my face or me but like some sort of device, my face, which she bought from a catalogue, like my face is a toy to be bought and tried out and maybe kept if it works for her or thrown away if it does not, and she pushes her cunt into my face, which is her store-bought toy, and moves her cunt back and forth against me—but I am not really me anymore and at this point I am thankful to her for that, I like to have her sweetness and violence against me be my escape hatch—and I can’t breathe for myself, I can’t use any air, but I can breathe into her and I do, and I push my tongue out for her, and I forget that I have to breathe like a normal human, and I stay there in a way, motionless, that seems to me to please her, and as soon as I get comfortable with what is going on, as soon as I feel like I am doing what she wants me to do, and as soon as I know who I am when she fucks my face, she leaves the room and slams the door shut and locked, and I am left with myself tied up, alone, and my cock hard, which is her cock. And I think how nice it would be to be able, if I wasn’t tied up and my cock was my cock, to reach down and make myself come, and I think about how nice my come would feel, hot and lashing out onto my stomach in whips, and that makes me feel almost like crying, and I would cry except I am still a little sleepy and I don’t really want my cock to be my cock, and I don’t really want to make myself come, even if I could, which I can’t. And I listen through the door of the pee bucket room, hoping to hear the sound of her out there, all business-like in the daylight of her apartment, hoping to hear her brush her teeth, hoping to hear the water hit her body in the shower, hoping that she will come back, and then she does come back, fast and unexpected through the door even though I was expecting her, and she pins me to her cunt again and fucks my face like it is a thing she bought to fuck herself with and she bangs my head into the wall of the pee bucket room until she comes, rocking into me hard and thoughtlessly, like I am inanimate, which I am, and then she leaves me there, my face wet with her, she leaves me there and slams the door all business-like, goes out into the daylight by herself. And that’s like an average half hour in an average day, any more and I write two hundred pages, and I like your question very much, and thank you, Brids.

Ferns’ note: You can read my version of this average half hour in an average day here: Wake up

 

robert said…
My Question is similar to slapshot’s.
If Ferns were to grant you a wish and you had the power to creat a scene – what would you wish for.
robert

 

Danger, danger. I am now listening to a Prince song so forgive me if I try to get ridiculously incredible. Okay. When you ask me what kind of scene I would most like to do with Ferns (“scene” is a funny word, right? How am I in a movie all of a sudden?) it almost sounds like—since this is Ferns’ blog—you are asking me to dictate, to her, what I want her to do. I know you didn’t mean to, but that would certainly change the way things work under the sun and under the moon and within the purple rain. You know? As if in her own blog, and publicly therefore, I announce to her which way to treat me, and how to poke me, just right, and thoughtfully, with sticks. And what kind of sticks, or other implements, too. As if I should make a list of demands—I would like a helicopter, unmarked billions, and cock electrification—like I was the kidnapper of my own body.

So I will answer your question twice, but from different and safer angles.

First, as a fantasist: I would like her to fuck my ass with her huge cock while she strangles me to death and when I die she spits in my face and calls me her darling.

Second: I would like her to do to me the thing she has most wanted to do but has never ever—maybe because it is too impossible, maybe because it is too comical, or maybe because it is too illegal altogether world-wide—done before.

Yardbird said…
It sounds like you two have a beautiful relationship, a symbiosis; one that many would envy you for.
What was it that you saw in Ferns that made you say, ‘She’s the one.’? At what point (and how) did you indicate to her that you were ‘all in’?
Thanks

 

You asked me what I saw in Ferns that made me believe that she is “the one.”

Ferns likes puns. Puns are awful. I hate puns. I have never liked puns. Like Dr Johnson said, “He who would pun would pick a pocket.” And Ferns would pick a pocket. But the thing is you would never know that your pocket had been picked if she picked your pocket to pick. James Joyce was like that, and so was Samuel Beckett, and so would Shakespeare pick your pocket. And you would walk away smiling from all of them, and even later when your wallet was missing you would count yourself happy for the difference. It’s that kind of masterpiece level intelligence, and playful-ness, and hot little con-artistry that made me go all in for her.

KitchenGoddess said…

Ferns wrote a description of something you both experienced here: “You Hit me”

I would really love to know how you felt in the lead up to the slap and after she slapped you.

 

I am glad you asked me that question about the slap. Usually, of course, when I say “I am glad you asked me that question” what I really mean is that I have a good answer for that question, and that I am glad you gave me the chance to say the thing I already wanted to say. I do not, however, have a good answer in this case, but I am glad you asked because it makes me try to come up with an answer, and I feel if I could come up with an answer, a good answer, it would make me know myself better, or it would make me know Ferns better.

So here we go, and thank you again: about the slap, that time, that time, when she slapped me. If you look at Ferns’ comments in response to the comments she got on that posting, about the slap, about when she slapped me and I fell out of the atmosphere and felt like she’d cut my umbilical to the earth somehow and put me in a funny little hat and set me spinning, you’ll see the truth: I don’t really know what was going on in my head at that moment, just as Ferns predicted. My head emptied out. I have only a tiny memory of it because I went la-la and super-galatial.

We’d been through a lot together by that time. She’d stuck needles through my nipples, and needles into my cock, and she’d fucked my ass, and she’d told me and made me believe that my cock was her cock, which it is, and she’d given me a contract and I’d given her a signature which proved that my body was her property, and she’d put a collar around my neck which proved that when she fucked my mouth I was talking metaphysics to her dick and my mouth was her playground, and that when she made me come it was her come coming out of her cock, and when she made me eat that come it was that I was eating her come, that she was putting her come in my mouth, and when she made me come onto my stomach it was her, exactly her, pulling out of me and coming onto my stomach, and she’d beaten me, she’d caned me, and flogged me, and electrocuted me, and she’d sent me off to two different sadists (are you catching the drift of this generosity? It still amazes me about her) to get a sense of how it feels to be beaten by other women, and the sense of how it is to get beaten by other women did not make me happy, and I only wanted her to beat me, and to bite me also, which is a thing so intimate and terrible that I don’t know how to stand it, and she’d bitten her autograph into my neck, lips, chest, torso, thighs, and cock until I couldn’t take anymore autographing and nearly had to safe-word, the biting is the thing that always makes me nearly have to stop everything and safe word. So what I think happened with that lone and single slap, Kitchen Goddess, is that I finally relented to her, gave up the castle, jumped from the battlements and drowned in the moat.

What’s weird though is that if you had asked me, a day before that slap, “Hey, boy, did you give it all up to her?” I would have said, “Hell yes. I did. I gave to her whatever there was to give.” But I hadn’t. And something inside of me had still kept guard, against my will, and that slap finally brought it down and left me defenceless.

ReignDear said…
Ferns seems to be big on kissing. I know that this sounds stupidly stereotypical, but I find kissing to be a kind of equalizer, no matter how much I believe that it’s not (and I do believe that). Don’t you find that kissing makes you feel less submissive? If it doesn’t impact the dynamic, can you try and explain why it doesn’t for you?

 

Before Ferns found me, when I was a willy-nilly know-nothing nobody entering Fetlife and Collarme, I wrote a little profile advertisement for myself that said I wanted a woman who would kiss me like a shark hitting a diving cage. So where the anonymous woman I was looking for would be the shark, you know, and the cage was my skull, it would be my mind that was the little diver with flippers inside of the cage, freaking out and photographing the potential carnage of the teeth. This metaphor works if you have seen such footage on the Discovery channel, or if you have watched the movie Jaws. Ferns kisses like that, the Great White rampant, but then though (and this is the metamorphical beauty of this person whose blog you are reading) she kisses all soft and gentle like suddenly she is a little girl in bobby sox doing first kisses behind the planetarium. Soft, soft, and then the Great White again, entering submarine into the water park, maybe her dorsal fin like a flirtation slicing the surface, unsuspecting bathers and a spread of victimology, and she never leaves a clue behind. And I guess that anyone who tells you kissing shall be outlawed for reasons of bdsm politics should be pointed at, giggled near, and then walked away from.

ouimistress said…
If i may be so bold i have two questions to pose to your boy:
– Beyond kink play what interests and values do Ferns and you share and how do you affirm each other through them?
– From Ferns descriptions of your kink play you share an amazingly passionate and emotional relationship. Has this intensity affected your identity and view of the world around you, e.g. your relationship with family and friends, career plans, spiritual values etc?

 

Those boys might sometimes call you Whee Mistress but if they do they should not be tolerated. I am going to answer your very good questions sort of scatter-shot and essayistic in style, if that is okay, because they are making me think of a lot of things in a lot of ways and simultaneously.

We like movies. Ferns makes me come out of the closet so I can watch her rig up her strap-on. Which is like a movie I would have made for myself and starring myself but directed by Ferns, who I am lucky enough to have found as a director. We both think she should have a bigger dick but can’t reconcile this with my ass which was most recently unfucked and kind of tiny for an ass. So we will talk about this ass thing of mine which is a plus and a minus, a plus because it makes me shout and cry some when she sticks the tiny cocks we’ve picked to put in me, but a minus because I think she sees herself with a big, round, swingy cock that she’ll wreck the place with. I am the place she has in mind to wreck, the place is me so I worry about me but I know she worries about me too.

We go to the beach, which she likes. I see a snake first or she sees a snake first, hard to remember. I remember thinking that she is giving so much to me that it makes me feel like charity is a bird machine. I remember thinking that my garden is envious of her personality. This makes me decide, since I don’t like the beach as much as she does, that some day we should drive up into the mountains and she should wear her cock and slip it out of the fly of her blue jeans so I can suck it while we climb into the altitudes, so I can drool down the length of her cock and my spit will wet her pussy. I remind myself to tell her this later, that I would like to suck her cock while she is driving because she is an excellent driver. She says back to the Oui Mistress question, boy.

And then together we look up the word “friends” in the dictionary and I see a picture of books that I have read and Ferns sees pictures of books she has read and then we trade pictures of books that we saw in a dictionary. I like how she writes very much: it makes me feel like I might be in a swamp, and will I be punctured in that swamp, and where am I in that swamp, and the mosses look beautiful but might poison me if I were to eat them, but I am hungry, plus where is Ferns, and are ferns edible and then suddenly civilization, towers, booths, noodles to be had and massage parlors. Then we look up the phrase “kink play” in the dictionary and it tells us of goddesses and worms. We both look at each other. It is late. I am never going to tell my family how I wait and wait to suck her dick. Spiritually we are both convinced of our bodies as little goddesses, but only princesses once they are dead and not our bodies, and then just for the mistresses and worms everyone talks about, and they should go ahead and do whatever with us.

I think this might be the longest post EVER! I can’t tell you how much I enjoyed reading his responses, and yes, the inside of him looks just like this – complex and funny and smart and idiotic and hot and beautiful. I have to add that his thoughts at this point are clearly influenced by his 39 days of chastity (the counter at the right tracks this in case you haven’t noticed it…), which adds a delicious layer of wanton desperation over the top, like icing… My boy is a slut for comments, so if you want to tell him he’s cute (he is!), feel free to do so…

If you have any more questions of either of us (two for the price of one), we will gladly answer them in next week’s Sunday Curiosity.

VN:F [1.9.17_1161]
Rating: 0.0/5 (0 votes cast)

15 comments

posted by on my boy, my boy's voice, play

This is my boy’s version of Marking territory, thank you baby.

She and I will separate tomorrow morning, so kneeling in the bathtub in front of her, while she showers, I want to be slapped, to get stunned out of the depression I feel already creeping up on me. Sometimes when I am kneeling and move to kiss her body, to slip my tongue into her, she will hold my head and position me just so, in preparation to slap my face, and now I move to do so, kissing gently, offering her my face, her head and shoulders far above me in the clouds of steam and jet of shower water, a tower the top of which the atmosphere has hidden from me, and with the water in my face and the steam all around I am blind anyway, the inability to see and read her facial expressions, as always, both a source of anxiety and excitement–what is she thinking about up there?–and now I feel her hands guiding my face into her body, feel her positioning my head, my face, in front of her pussy, so that I can barely reach her with my extended tongue, with which I try to find her, search for her, to taste her and to feel her move against me.

But I feel her body relax now, instead, the muscles in her back and legs loosening, I hear her exhale deeply, and instead of the slap–which I thought or imagined was coming–I know now that she is planning on marking me, with her piss, that she is going to piss in my face and turn me into something to be used and something to be hurt without consequence, and my heart starts breaking a little bit because I know that this means she cares for me and wants me even as I know that by pissing on me, in my face, this turns me into a thing, something faceless, something unable to keep or carry a face, and makes my body only an extension of her body.

The water from the shower has been spilling on my face throughout, but the tenor of the water in my face becomes now sharper, a bit salty, and she moves her body closer into me, into my face, and I can feel the stream of her piss splashing across my face and down my chest and shoulders before I can open my mouth and help guide the stream into me, which I do, trying to make a seal between my mouth and her cunt so that the extension of her body into mine is complete and unbroken, so that I miss nothing, so that I can BE nothing too. But I find the seal impossible to make and keep, of course, and along with her piss, the stream of it now increasing so that I have to begin swallowing faster and faster, I am also swallowing the shower water as it falls on me, except the illusion in my mind is that everything I swallow is hers, that the water from the shower running over her body, down her face, breasts, stomach and into my mouth is hers, from her, so that I get a quick, vertiginous feeling that I am being entirely filled up by her, the empty, figurative spaces in my chest inhabited by her, so that there is nothing left empty or secret she is not a part of, the water all around and all over me is hers and the blankets of steam are hers and I am completely covered up by her. And I can sense her now moving rhythmically a little bit above me as the stream slows, her pussy rocking into my open mouth just a bit, popping my head back gently, and I break the seal of our bodies willingly now and begin licking into her cunt, trying to slip into her with my tongue as deeply as I can, more methodically now than before, her hands still framing my face.

She has in the past punctured my body with needles, broken my skin with her teeth, and penetrated me with her cock, but it is this moment, a sad moment where I feel broken, somehow worthless and a thing but also much cared for, cherished, it is this moment in which she has finally come inside of me, come in my mouth, come in my face, her piss like come running down my chest, and I have swallowed for her, all of it I could, and I hope this makes me a good boy.
.

VN:F [1.9.17_1161]
Rating: 0.0/5 (0 votes cast)

14 comments

More needles

Jul
2009
18

posted by on Fleshbot picks, my boy, my boy's voice, play

This is my boy’s version of our play with needles described here – Needles.

The needle you’re going to push through my left nipple is the second needle — the first has gone through my right nipple — and this second needle, though I don’t know it yet, is the one that’s going to make it hard for me to remember any of the needles which come after it, their order, the pain they bring, my reactions. I am naked and restrained, hands and ankles, and am flat on my back with you on top of me, straddling me, fully clothed, the weight of you an anchor which has so far kept me from floating off the bed and out of the apartment, through the ceiling and on into the sky. You unwrap the needle from its plastic, pop the protective plastic lid, and you ask me the question:

“What number is this needle, baby.”

“Two,” I say, watching the needle in your hand, watching then your eyes watch me as you gauge my reactions, and though I feel calm at this point I also feel like the bleeding little science project that I am, small and motionless, powerless to move, your weight on me a comforting anchor, yes, but also a threat to me, my underbelly soft and exposed where you are free to move, still in the armor of your clothes. The first needle had earlier passed through my right nipple with relatively little pain, which fact I chalk up to the endorphins which have been charging through my bloodstream since the minutes before you restrained me on the bed, me standing then up against the wall, you slapping my face once, twice, left side, right side, while I tried to stand still and tried to keep looking into your eyes.

“Are you ready baby,” you ask me now, leaning in and poised above me, and I think that I am ready, and I say that I am ready, and instead of watching your face, as I did when the first needle slipped in, I watch instead your hand guide the needle toward my left nipple, pinching the end of it and pulling it, elongated, towards you. And I think I do this — watch your needle hand as it descends — because, sometimes in these moments when I am a little bit scared, I try to send my mind out into yours: I am a science project after all, and so don’t have a substantial point of view, and it is nice to imagine myself inside your skin, in an attempt to feel what it feels like, to you, to watch me, to hurt me, to make me bleed or cry out, to penetrate my skin.

And so I am able to watch you push the needle through, but only for a second. The pain of it is total, the needle’s slide through my skin and out the other side seems to take (though it could only have taken a second) forever, and in that relative time my mind empties out, I am able to hear myself shout, I hear you make a noise that is a soothing and a comforting noise, and I am terribly touched by this sound you make and the care that I feel you feel for me, I shout again I think, a little stuttering cry as the needle finally comes through the other side (my cock, which has been hard throughout, suddenly seems far away from me, like it is a cock I am only distantly related to) — and I find myself wishing for a gag because the sound of this last crying out — it sounds half caveman, half little girl — embarrasses me, as do the gasps and the little cries which follow it as the pain lessens and my mind clears and focuses again.

And suddenly you are kissing me now, or have been kissing me before I have even realized it, and I am sending these little gasps and cries into the hollow of your mouth, and you are pressed against me, the length of my body, and my cock (it is your cock Ma’am) hardens again, and these are the last clear memories I make — a snapshot of a wispy trail of blood on my chest, like a smoke signal spiraling out of the pain throbbing in my nipple; a snapshot of your eyes softening as you drive a needle through the tenderest skin nearest the head of my cock — until you start pulling all seventeen needles, one by one, out of my body.
.

VN:F [1.9.17_1161]
Rating: 0.0/5 (0 votes cast)

2 comments

posted by on kissing, my boy, my boy's voice, play

This is my boy’s perspective of our Kiss Goodbye.

Thank you baby.

I am still unused to the new rule — before leaving you, I am to kneel bedside, arms behind my head, and say “thank you, Ma’am” — so I am nervous and concentrating hard on that process, hoping that I do it right, hoping that my knees don’t hurt too much on the wood floor, hoping that I am maintaining a good enough posture, hoping that you are pleased with me, and I am expecting to be — in just a minute or so — leaving this room and walking home from your apartment to mine. And that’s why when your kisses (which have been soft and quiet and sweet at first, innocent and warm) suddenly turn into something else, something painful and scary, I am taken by surprise.

Because what was a calming metronome of a kiss has now developed into an aggression, your hands cocking my head awkwardly into the crook of your arm so that I am turned, almost like we were dancing, and I was the girl, and you were dipping me almost to the floor, turned like that as if I am suspended and hanging there from your teeth, because now your upper and lower teeth have closed on my bottom lip as if your teeth were searching for each other through my skin. In my mind I fantasize quickly that you do bite all the way through my lower lip, that I can hear the pop as the teeth drive in and the click as they meet, and I imagine my mouth filling up with blood and choking me out, and that terrifies me and turns me on, and all I know to do in the face of your attack is to run into it: so I arch my body into the force of yours and open up my mouth, to give in to you, and I slip my tongue in between your teeth and hold it there, like it’s the offering it is.

And for just a second you pause, like you are startled somewhat. I don’t know why. At the time I wonder if you are surprised by me giving in so easily and quickly. And then the scarier second thought arrives: I think you are startled, not by me directly, but maybe by your own intentions, that the things you want and could do to me are flashing before your eyes in a kind of serial killer’s slideshow of possibilities. It scares me completely and I almost want to laugh but now you are turning me into your lap and your mouth has closed entirely around my tongue. You suck on it like you want to tear it out and bring it back, like I’ve been holding onto it for awhile for you just for safe keeping and now it’s time for my tongue to leave me and to be yours again, and the pain of this attempted removal shoots into my neck and chest.

You’ve upturned me now and I am helpless in your lap, my cock hard (it is your cock, Ma’am) and my lungs burning for air because at some point, without me noticing, you have stopped my breathing with your mouth and your hand, and I want you to black me out but I can’t force my body to keep from fighting for air, which eventually you do give me, Ma’am, you give air back to me again, and my tongue back for awhile, and thank you.

.

VN:F [1.9.17_1161]
Rating: 0.0/5 (0 votes cast)

Come whisper in my ear...